גלריות מוסררה, בית ספר מוסררה לאמנות וחברה ירושלים

ĦđĕĔĕĘđĠ ,ĦđĕĦđĎĐĜĦĐ ĦđĕĜčĦč ĦģĝđĞ ęĕĘĥđĤĕ ĝĠďĐĐ ĦĜďĝč ĦĎĢđĚĐ ĐėđĤĞĦĐ .ďĕĦĞĐđ ĤčĞĐ ĦČ ęĎ ČĘČ ĐđđĐĐ ĦČ ģĤ ČĘ ĞĤđĠĐ ĕĤģĚĐ đČ ĕđĠėĐ ěĥđčĕĥđ ĦđĕĦđčĤĦđ đčđ ĘđĠėĥĘ ĦĜĦĕĜĐ ĐĢĕĤĔĚ ĘĞ ĝĝđčĚĐ ĝĠďĐĐ čĘč ęĕČĢĚĜ ĐĞĤĠĐđ ĦĕĜčĦ Ęĥ ęĕĎĥđĚ ęđĘĕĢ ,đČĕďĕđ ,ĝĠďĐ ĦđďđčĞĚ ĦčėĤđĚ ĐėđĤĞĦĐ .ĦđčĤĞĦĐđ ĐĞĦĠĐ ,ěđđĕĎ ĦĜĚĒĚ ěĚĒč ĘĞđ ęđĕģ ĦđĤđĢ ĘĞ ,ęĕĕē ĕČĜĦ ĘĞ ęĕĠėĜĐ ĦđĞĤĠĐđ ęĕĕđĜĕĥ Ęĥ ęĕčĢĚ ĦđĥĤđĠĐ ĘđĝĕĠđ .ĦđĕĔĦĝČĐđ ĦđĕĜđĕĞĤĐ ,ĦđĕĥđĜČĐ ęĐĕĦđČĢđĦđ ,ĕđĔĕč ĕĜĠđČ The exhibition at the Jerusalem Print Workshop, confronts political, behavioral and cultural patterns and their forced or accidental disruption that undercuts not only the present, but also the past and future. The concepts of pattern and distruptions are at the basis of printmaking which relies on matrix and its duplication. However, it also calls for variations, suprises and interventions. The exhibition consists of print works, video, photography and sculpture which uncovers states of change and disruption that are forced upon ways of life, on forms of existence and on manners of expression, exposing their human, ideological, and aesthetic consequences. Rami Maymon ơŌĤħð ŎðƇƑ ěđĚĕĚ ĕĚĤ